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- <text id=94TT0534>
- <title>
- May 02, 1994: Cinema: A Masterwork Suppressed
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- May 02, 1994 Last Testament of Richard Nixon
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/CINEMA, Page 75
- A MASTERWORK SUPPRESSED
- </hdr>
- <body>
- <p> A bold and poignant Chinese film is banned in its homeland
- </p>
- <p>BY RICHARD CORLISS
- </p>
- <p> When bad things happen to good people: this is a dominant theme
- of literature and drama through the ages, from the Book of Job
- to Dostoyevsky novels to most soap operas and TV movies. It
- is also the story line of the Chinese film The Blue Kite--and the story behind the suppression of this bold, masterly
- work.
- </p>
- <p> Tian Zhuangzhuang's film opens in 1953, with the marriage of
- lovely Chen Shujuan (Lu Liping), a schoolteacher, and gentle
- Lin Shaolong (Pu Quanxin), a librarian. The two believe they
- have much to celebrate: their warm love, to be sure, but also
- the dawn of a true People's Republic. Their political ardor
- can't last; what begins in naive hope is crushed against the
- great wall of Maoist reality.
- </p>
- <p> The couple have a son, Tietou (played by three children in the
- 15-year course of the narrative), and all seems well. But shortly
- thereafter, the family begins its run of exemplary bad luck--everything rotten that could have happened to anyone in the
- plague years of Maoist China seems to happen to them.
- </p>
- <p> During the rectification movement of 1957, when citizens were
- urged to "let a hundred schools of thought contend," a colleague
- of Shaolong's innocently implicates him in criticism of their
- work conditions, and when the official policy reverts back to
- thought control, Shaolong is banished to a labor camp, later
- to be killed by a falling tree. Tietou's uncle is going blind,
- and Uncle's girlfriend, star of an army theater troupe, is sent
- to jail because she refuses an order to have sex with political
- leaders. Shujuan's second husband (Li Xuejian) dies from a liver
- ailment aggravated by the rampant malnutrition of the early
- '60s. And during the spiteful frenzy of the Cultural Revolution,
- Shujuan's third husband (Guo Baochang) is humiliated and beaten
- by the righteous Red Guard. What is worse than young American
- rebels without a cause? Young Chinese cadres with one.
- </p>
- <p> Cataloged like this, the plot may sound like little more than
- anti-agitprop. And indeed The Blue Kite is by far the most excoriating
- depiction in Chinese film of Mao's ravages. But at its heart
- it is about domestic dreams, about a hope for better days that
- flies above the characters as brightly and vulnerably as Tietou's
- favorite blue kite. The rhythms of this family--the meals
- and arguments, the worries about money and the sweet moments
- when a put-upon mom finds bliss playing with her bright child--are handsomely observed and beautifully played. In Lu, Tian
- found one of those perfect faces from which emotion rises spontaneously,
- acutely and eloquently.
- </p>
- <p> But to Chinese authorities, The Blue Kite was nothing more than
- an incendiary insult. They approved the script but, when Tian
- diverged from it, refused to let him edit his film; it languished
- for a year and was completed abroad by others working from the
- director's screenplay and notes. The film was banned in China,
- and last month Tian and six other prominent directors were forbidden
- to make films in their homeland.
- </p>
- <p> So Tian must feel kinship with the beleaguered brood in The
- Blue Kite. It is now the challenge of the world film community
- to see that he is not silenced because he told the truth.
- </p>
-
- </body>
- </article>
- </text>
-
-